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Papers On Italian Literature
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Dante's, "Inferno":
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This 5 page paper examines the Christian poet Dantes and his work, "Inferno". Furthermore, this paper explores the use of pagan figures despite the authors Christian orientation, and this is explored within this paper. Bibliography lists 5 sources.
Filename: GSDantes.rtf
Dante/ The Inferno, Canto III
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An 8 page research paper that analyzes Canto III from Dante's Inferno (which is a part of his epic masterpiece the Divine Comedy). This examination uses a representative portion of the Inferno, namely Canto III, to illustrate how Dante used the framework of the poem to convey his ideas concerning religion and morality. Bibliography lists 5 sources.
Filename: khdante3.rtf
Dante/Inferno, Canto II
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A 12 page research paper/essay that examines the beginning of Dante's Inferno, with particular focus on Canto II and how Dante uses the symbolism of three as a unifying device that serves to emphasize the religious message that forms the main thrust of the poem. The writer discusses the symbolism of the three beasts and particularly focuses on the significance of the three blessed women, Beatrice, Santa Lucia and the Virgin Mary. Bibliography lists 5 sources.
Filename: khcanii.rtf
Dante/Use of Nature
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A 4 page essay that examines Dante's use of nature in The Inferno and The Purgatorio, which are part of Dante's epic The Divine Comedy. The writer discusses the meaning of nature imagery and how Dante uses this to convey his perception of spiritual truths. Bibliography lists 4 sources.
Filename: khdannat.rtf
Dante’s Inferno & Humanism
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A 3 page essay that discusses “The Inferno” from Dante’s medieval epic poem The Divine Comedy. This poem describes the experience of the author, led by the specter of the ancient Roman poet Virgil, through a journey of spiritual enlightenment that takes him through Hell, Purgatory and finally to Heaven. The punishments that are inflicted on the souls in Hell strike Dante, as a character in the poem, as inhumane, but Dante, the poet, makes it clear that each punishment is ideally suited as retribution for the sins committed by these souls while the individuals were alive on earth. Therefore, as the poem’s narrator moves through Hell, he receives progressive lessons pertaining to what it means to be fully human and fully in accord with the expectations of God. No additional sources cited.
Filename: khdanhum.rtf
Dante’s Inferno/Canto XX
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A 3 page essay that analyzes Canto XX from Dante Alighieri’s epic poem “The Divine Comedy,” which begins with the book entitled “Inferno” and records how Dante journeys through Hell led by the specter of the ancient Roman poet Virgil. In Canto XX, Dante, the poet as opposed to the character in the poem, reasons that piety lives but that pity is dead. This may seem hard-hearted to the modern-day reader, but it fits with the theological reasoning of Dante’s era, which believed that God’s justice should be accepted unequivocally and with complete faith, that is, with piety. Bibliography lists 2 sources.
Filename: khdanxx.rtf
Decameron By Giovanni Bocaccio
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A 6 page paper. The writer discusses themes and symbolism found in the Decameron. Bibliography lists 7 sources.
Filename: PGdecam.wps
Distinctions Between Dante Alighieri and his Fictitious Poet Dante in "Inferno," Part One of "The Divine Comedy"
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A 5 page paper which considers three distinctions between the real Italian author and poet Dante Alighieri with the fictitious character Dante he created in "Inferno," part one of his classic epic poem, "The Divine Comedy." Bibliography lists 6 sources.
Filename: TGdante.wps
Giuseppe Ungaretti
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A 7 page overview of the work of Italian poet Giuseppe Ungaretti. This paper emphasizes the varied cultural influences which undoubtedly shaped Ungaretti’s style. Noted for his use of few and very carefully chosen words, Ungaretti could accurately be described as a literary minimalist and exemplary of the hermetic movement. Like the French symbolists, he looked at poetry much as one looks at music. Even single words, had musical potential and tremendous power. Bibliography lists 6 sources.
Filename: PPungare.rtf
Guides in Dante Alighieri's “The Divine Comedy”
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This 5 page
report discusses Dante Alighieri's (1265-1321) classic and notes
that it has always been and is more than likely to remain
fascinating to countless moralists, poets, and readers throughout
the ages. Dante’s various “guides” serve to cause the reader to
consider and re-consider their assumptions about damnation and
who “deserves” to be damned. Bibliography lists 4 sources.
Filename: BWdancom.wps
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